2005 Annual Meeting: Border-Crossing Sessions

INTERAREA SESSION 59

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Session 59: Poster Sessions

Organizer: Paula Richman, Oberlin College

 

The Gordon W. Prange Children’s Book Collection: An Examination of Japanese Children’s Literature from the Early Postwar Period, 1945–49

Amy Wasserstrom, University of Maryland

The Gordon W. Prange Collection is the most comprehensive collection in the world of Japanese publications issued during the first four years of the Occupation of Japan, 1945–49. The contents of the Prange Collection once constituted the files of the Civil Censorship Detachment (CCD), an operating unit of the Supreme Commander of the Allied Powers (SCAP) Press, Pictorial and Broadcast Division. Between 1945 and 1949, the CCD was responsible for reviewing all Japanese publications to identify violations of the Code for the Japanese Press. When violations were identified by CCD examiners, censorship action was taken.

The 9,000 children’s books in this collection include picture books, comic books, folk tales, translations into Japanese of children’s books in foreign languages, and books of fiction and non-fiction for older children. These materials are a rich source for social and cultural history, for the study of popular literature, and for an understanding of Japanese concerns for their children during the postwar period. Because the censors treated children’s publications with a relatively light hand, this is a freer literature than most of what was produced for adults during the same years.

This poster will survey the Prange children’s book collection, with a special emphasis on the censored children’s books.


Global Performing Arts Resource Centers: A Digital Opening to Performing Arts across Cultures and Histories

Joshua Young, Cornell University

This poster session looks in two directions: reporting on the history of our project to construct GloPAD, a multilingual, online database for performing arts materials from around the world, and introducing ways that viewers may use the resources of GloPAD in the classroom.

One part of the presentation will use pasted images and short, one-paragraph captions to give viewers an overview of the main intellectual labor of our project: to construct a metadata scheme that accommodates materials on performing arts from various cultures, languages, and histories. The other part will suggest ways that the database can be used now as a resource for students at various levels to work with cultural artifacts, performing practices, and structural terminology. The conceptual conclusion of the report side of the poster will be that the construction of this database shows how structures of understanding such as genre or artistic and professional functions are negotiated concepts that must be constantly translated.

GloPAD is the central project of the Global Performing Arts Consortium (GloPAC), a consortium of libraries, museums, and individual scholars dedicated to making accessible to the online public artifacts of performance events from traditions across the globe and across the ages. The key elements of the online database are that it is multilingual both in its input system and in its end-user display (currently English, Japanese, Russian, Mandarin, and German), and that it brings together performing arts specialists working in a variety of traditions and locations across the globe.


Thirty Years of April 30th: The Politics of Time and Liberation in Ho Chi Minh City

Erik Harms, Cornell University

On April 30th, 2005, "Giai Phong" turns thirty. For most Ho Chi Minh City residents the term Giai Phong (liberation) serves as a temporal marker that orders social time into neat categories of "before Giai Phong" and "after." Once a charged symbol of an epochal shift and a change of regimes, the passage of time itself has softened the implicit politics behind the word "liberation". To say now "I was born six years after liberation," or, "I moved here before liberation," doesn’t always imply a set political meaning. In many cases, it simply marks the passage of time. This interactive poster provides a forum to discuss how "liberation" is both a marker of time and something marked by time itself.

How has the symbolic value of April 30th changed over the course of thirty years? How does April 30th itself seek to manage the experience of history and time? How is the act of commemoration itself marked by contemporary time-relations? Using contemporary photographs and historical newspaper clippings as visual guides, I draw on recent fieldwork experience in Ho Chi Minh City to situate the historical changes in April 30th commemorations within the developing forms of time discipline in Vietnam’s "open door" economy. To understand where April 30th stands in a politics of time, we have to understand how April 30th affects the temporal orientations of people observing it. But we must also debate how the new temporalities of "market-oriented socialism" themselves affect the meanings people give to April 30th today.


The Process of Passing Laws in Thailand’s Parliament, 1979–2002

Aaron Stern, University of Michigan

Thailand’s national parliament sits at the center of a political system which has recently experienced some significant changes, particularly with the passage of the current constitution in 1997. Laws have grown more important in forming government policies and in the daily lives of Thai citizens. Promoting the "rule of law" has become a major focus within the scholarship on democratization and the efforts of international bodies like the World Bank and the United Nations. Yet the Thai parliament, along with most other legislatures in Southeast Asia, has received little attention from scholars and practitioners until very recently.

My poster will outline the key elements of the legislative process, illustrate what has changed (or remained static) in the legislative process during the period 1979–2002, and offer explanations for what has driven these changes.

I will base the poster on data from fieldwork in Thailand during 2001–2002: a combination of participant observation, interviews, primary source documents, and secondary materials. The poster reflects a chapter of my dissertation on the evolution of the Thai parliament during 1979–2002.


The Making of an Atlas of the Himalaya

David Zurick, Eastern Kentucky University

A variety of spatial data sources and cartographic techniques were used to create a comprehensive atlas of the Himalaya. This poster examines some of the conceptual, methodological, and technical processes encountered in the making of the atlas. The conceptual problems of atlas production examined in the poster include the sources and reliability of geographic information for the region, the nature of geopolitical alignments and contentions represented in the international boundaries, and critical visual representation issues. Methodological problems include spatial data acquisition and integration in a digital format for use in a geographic information system. Technical aspects of the cartographic process are examined and illustrated by way of explanatory stages in the production of representative maps. The atlas project engaged a constituency from throughout the Himalaya, organized by the International Centre for Integrated Mountain Development, and thus reflects an effort toward building a consensus regarding the spatial representation of the Himalaya region. The purpose of this presentation is to examine the research processes that lie behind the creation of the atlas, especially insofar as they tackle more generalized problems of remote-area spatial data acquisition and use, as well as the cartographic representation of this geographic region, and to visually present these processes through an illustrative poster.


Instructors in Technology and Skill Transfer Knowledge: Expatriate Employees in a Japanese Automobile Corporation

Asahi Fujiwara, Aichi Gakuin University

In response to the wave of globalization in business, the Japanese automobile industry has enhanced its operating infrastructure all over the world. Consequently there have been increasing opportunities for Japanese workers to interact with foreign workers. Since skill-based technology is recognized as one of the competitive advantages of Japanese manufacturing industry, successful transfer of skill has a decisive impact on productivity. In this sense, interaction between Japanese workers and foreign workers is worth attention. This paper seeks to illustrate the process of skill transfer in cross-cultural setting, especially on the shop floor level. Much attention has been paid to skill transfer from the management point of view, but this study also attempts to explore from standpoint of intercultural communication. There are multiple aspects that make the cross-cultural skill transfer unique, including (1) limited verbal communication due to their different native languages, and (2) attributes of skill that are not transferable by verbal communication. In this unique context, the role and effectiveness of verbal and non-verbal communication are considered.

The study produces data on over 240 technology transfer instructors employed by the Toyota Motor Corporation. The data findings cover a great deal of descriptive information, such as their employment experience, demographic characteristics and the kinds of work they have been selected to undertake in overseas transplants. In a more analytic mode, the research provides insights into how these workers prepare for their assignments, the methods they use to instruct and the kinds of problems they experience in communicating with foreign workers.


Developing a Multimedia Application to Prepare for the Grammar Section in the Japanese-Language Proficiency Test, Level 2

Shohei Koike, Setsunan University

The purpose of this presentation is to show how a multimedia application will help students of Japanese, especially in English-speaking countries, to improve their reading and speaking abilities, as well as to learn kinougo, or Japanese function words, and to prepare for the grammar section in the Japanese-Language Proficiency Test, Level 2.

Most Japanese programs at U.S. universities do not seem to offer an advanced class that systematically introduces the Level 1 or 2 grammatical items listed in Japanese-Language Proficiency Test: Test Content Specifications. Most self-study books, on the other hand, are written in Japanese, too difficult for the relatively low kanji proficiency levels of American students.

The multimedia application I am developing will have twenty lessons, with 203 grammatical items. Each entry presents a brief grammatical explanation, with five exemplary sentences. A mouse-click will enable users to listen to each sentence read aloud, and to see its English translation. The application also pronounces kanji, displaying their phonetic transcriptions in romaji or hiragana characters, as well as their meanings.

Learners generally need to listen to a recording many times before complex grammatical structures begin to sink in. Unlike analog media, this digital tool will enable users to easily find and repeat the portions of a recording they want to work on. The application will run on English-language versions of Windows 95 or above, without requiring any special device, program, or Japanese language kit.


Cultural Components of Housing Preference: "New Towns," New Houses, and Old Houses in Northern Japan

John A. Mock, Akita International University

In spite of a peaking population and an extremely low birth rate, Japanese preferences for types of houses show clear cultural components. "New Towns," tightly-packed clusters of new houses, sometimes by the same manufacturer, are continuing to be created in Akita City as well as other parts of Japan. In addition, sometimes individual new housing is also being built. At the same time, older structures which would be far larger, allowing much more room per person, are often being allowed to deteriorate completely. This shift is so marked that structures of markedly different types are often found adjacent to each other.

This poster session presents some visual examples of preferred housing and seeks to explain the cultural components of housing preferences. Of special interest are concepts of "convenience," "cleanliness," and "safety" as applied to the Japanese housing market in a middle-sized regional capital. Also included is an examination of the value—or lack of value—of space, relative privacy and historical preservation.

Although the focus of this paper is on single-family housing, multiple-unit housing is also examined because it is the obvious comparison in a country where multiple units, in the form of apartment houses, are the dominant form in the great urban centers and compete strongly with single-family units even in a regional center such as Akita City.


The Japanese Government’s Dilemma: The Declining Birth Rate

Noriko Tada, Nagoya Women’s Studies Group

Japanese government forecasted a labor shortage in 1989 when the national average birth rate per woman dropped to 1.56. The government made guidelines named the "Angel Plan" in 1992 and "New Angel Plan" in 1999 to deal with the declining birth rate. It could not stop the tendency, though.

This paper will examine the government’s policies in mainly the New Angel Plan and identify a clear divergence of views between the government and society. This gap left its policies stillborn. In the guidelines, the government emphasized the reconciliation of work and family in order to encourage young people, especially women, to marry, trying to eliminate their sense of child-rearing being a burden and the gender division of labor in a family and a workplace. However, young people did not give marriage and having children priority over their careers or pleasure. For working mothers, the government revised the Child-Care Leave Law in order to allow more part-time workers to take leave, and increased the number of legitimate nursery schools. However, the policies indicated that the responsibility of child-care was left to women only. A great many married couples complained that the economic burden of raising children was too heavy to have more than one child, according to a result of a questionnaire survey on marriage and having children conducted by the Asahi Sinbun newspaper in 2004. Marriage was no longer a solution to the problem in modern Japanese society. The government will probably fail to avert a further decline in the birth rate unless it takes the trend of public opinion into consideration.


Restrictive Factors on the Use of "Wa" in Spoken Japanese Narrative Discourse

Fumio Watanabe, Yamagata University

Building on Givón’s (1984, 1990) research on topic continuity, and Clancy and Downing’s (1987) research on "wa" as a cohesion marker, I analyze: (1) differences in the use of "wa" in spoken and written Japanese narrative discourse; and (2) factors that restrict the use of "wa" in spoken narrative discourse.

The data for this study were spoken anal written narratives elicited using a 5-minute animated film (Chafe 1980; Fuller and Gundel 1987). The spoken data were collected from 15 informants who viewed the film and then told the story to a friend in Japanese, and written data from the narrators and hearers of the spoken data who wrote down the story after the telling. In contrast to many preceding analyses of the use of "wa" in spoken or written discourse, I analyzed the use of "wa" in written and spoken narrative discourse about the same story.

I demonstrate that: (1) informants used "wa" in the written data twice as much as in the spoken data; (2) the proportion of the use of "wa" for the protagonist was the same in both the spoken and written data; and (3) fewer inanimate referents were marked by "wa" in the spoken data than in the written data.

I conclude that factors for low frequency of "wa" in spoken discourse related to differences in topic continuity and clause combination in the spoken and written data. The use of "wa" in Japanese discourse relates to functional-syntactic factors as well as stylistic factors.


The "Myth of the Three-Year-Old Child"

Keiko Watanabe, Nagoya Women’s Studies Group

The "myth of the three-year-old child," that is, that a mother must take exclusive care of her child until s/he turns three, is a prevalent one in Japan. Its wide acceptance is a latent hindrance which can crush the aspirations of young mothers to work. The paper will analyze the source and mechanism of this myth and how it has been implanted in women’s minds unconsciously and manipulates their social and family lives.

The "myth of the three-year-old" is not a longstanding traditional belief. In fact, it was originally propagated by the Japanese government in the 1920s as part of developing an ideology of the ‘modern family’ and sustaining a capitalist system. The myth also supported the concept of a gender division of labor. That is, it was used as a very convenient myth to force women to devote themselves to domestic duties and child rearing and to force men to work outside the home.

Japan is now moving rapidly towards becoming an aging society with a decreasing number of children. In 2001 the Koizumi administration formulated a policy under the slogan of a ‘two-income family’ and began to tackle structural reforms in the social security programs to prepare for an aging society with fewer children. The government ultimately proclaimed that there was no scientific evidence to verify the ‘myth of the three-year-old.’ It intended to shift its emphasis from ‘motherhood’ to ‘working mothers’ in order to bring more women into the labor force.


Ommyōdō Cosmology in Shintō Ritual at the Hakozaki Hachiman Shrine

E. Leslie Williams, Clemson University

Despite the omnipresent influence of Shintō in present-day Japan, and the undeniable role that this belief system has played for centuries in Japan’s society and culture, for academics it still largely remains a mystery. Even so, there are very definite, socially-perceived and transmitted ideas that serve to constitute Shintō worldviews. By considering the annual round of shrine rituals at the Hakozaki Hachiman Shrine in Hakata, a specific Shintō cosmology emerges. Founded in 921 A.D., the Hakozaki Hachiman Shrine has endured for more than a millennium. As a center of ritual practice, it has enjoyed periods of prosperity and decline, rebounded from the shocks of two attempted thirteenth-century Mongol invasions, and weathered the Second World War.

Regardless of contemporary practitioners’ unfamiliarity with its principles, Shintō ritual at Hakozaki is firmly mortgaged to Taoist, or Ommyōdō, cosmology. The influence of Ommyōdō thought is extensive in Shintō ritual practice. This poster will specifically examine how ritual practice focused on Hakozaki’s three main deities is structured in terms of the Ommyōdō worldview.

This poster will succinctly outline the mechanics of Ommyōdō principles that structure the observance of important shrine rituals at Hakozaki, and in particular, it will explicate the tight relationship existing between this shrine’s main deities and corresponding Chinese directional cosmology found in the Book of Changes.


Politics of Legislative Participation in China: A Study of Deputies in Local People’s Congresses

Jiguang Guo, National University of Singapore

The main purpose of this study is to understand how and why some deputies are more active than others in the process of improving the institutional autonomy and development of local people’s congress in China. Using interviews and survey data from 157 deputies at different levels (provincial, municipal, district) of the People’s Congress in Guangdong and Shandong, this study examines deputies’ legislative participation behavior in local people’s congresses. It shows that these younger, better educated "new breeds" of deputies, though not democratically elected, seem to be more active than their predecessors, especially in supervision. However, the supervision has been restricted to the government, not the local Chinese Communist Party (CCP). In fact, only a few deputies are more active in legislative participation. There are some factors that could explain this: windows of political and institutional space; deputies’ motivation of self-interest or sense of responsibility representing the interest of constituents; deputies’ strategy. Most of the deputies are inactive because of their quality as deputies, the election system, and especially political control by the CCP through informal rules in China. These findings have some important implications for the prospect of political change in China, which I will discuss in this study.


Kissing in China: Contested Images

Sarah E. Stevens, Southern Oregon University

This poster displays and examines depictions of kissing in 1920s and 1930s China in literature, pictorial magazines, and other journals. These decades saw a "kissing fever," with widespread images of kissing appearing in a variety of publications. LinLoon Magazine, a pocket-sized women’s pictorial, carried a series called "How to Kiss" which detailed the "history" of kissing, gave kissing instructions, and talked about how to kiss your husband. The pictorial also published pictures of the best Hollywood kisses from movies currently showing in Shanghai. Such depictions, along with short stories of this era, glamorize "the kiss" as a desirable accessory to the modern lifestyle. However, reactions to the kissing phenomenon were not uniformly positive. Social conservatives, who were also predominantly anti-Western, published articles detailing the dangers of kissing—ranging from disease transmission to social decadence—and giving pseudo-scientific reasons why kissing is less highly evolved than traditional Chinese expressions of affection. Discussions of kissing thus become a vehicle for interrogating gender roles and debating issues of modernity, Westernization, and social transformation.


Ethnic Minorities of Northwest Yunnan

Sam Mitchell, Yunnan University

Although China is often viewed as a monolithic culture, this impression overlooks the cultural complexity and diversity of China’s "minority nationalities." My poster session will consist of extensively captioned (in English and Chinese) 8 x 10 photos of the Naxi, Lisu, Mosuo, Nu, Bai, Hmong (Miao) and Tibetan peoples of Northwestern Yunnan. Included in the written notes are brief descriptions of these related yet diverse peoples. My photos are smaller copies of selections from an exhibition I designed and co-curated at the East-West Center Gallery during the winter of 2003–2004 entitled "Yunnan: Enchanting Region of Ethnic Diversity," which originally included textiles, dress and objects.


"A Ming Dynasty Literatus Goes A’Wandering": Yang Shen and the Art of Pure Travel Writing in "Roaming atop Diancang Mountain"

Ihor Pidhainy, University of Toronto

Travel writing, though present during the Tang and practiced to a good extent in the Song, only became a standard, if minor, genre during the Ming dynasty. One of the most preeminent of writers to work in this genre was Yang Shen (1488–1562). A top-ranked exam candidate, a promising official, a well-known poet, his life was utterly transformed in 1524, during the Great Rites Controversy, in which the Jiajing Emperor had him beaten, reduced to commoner status and sent into permanent exile. Arriving in Yongchang, Yunnan, the furthest reaches of the Ming empire, Yang, though stripped of his position, was nonetheless favorably treated by local officials. As a result, he was able to commit his life to travel, scholarship and writing.

In 1530, Yang Shen, in the company of a local literati, spent forty days visiting Diancang Mountain and its temples. He recorded this voyage in a prose essay titled "Roaming atop Diancang Mountain," noting the sights and sounds of the region, while presenting a subtle riposte to the Emperor.

In this poster, I will introduce Yang Shen, his travel writing, and his trip to Diancang Mountain, through a number of media, including a series of photographs taken on a research tour of the region in the Summer of 2003, the purpose being to enhance an appreciation of the genre of travel writing as practiced by Yang Shen.


Avalokitesvara Bodhisattva from Male to Female in Archaeological Artifacts: Changing Morphological Images, Point of Gender Transitions, and Chinese Politico-Religious Impact on Sculptural Art

Jian Tang, Institute of Oriental Studies

This study analyzes for the first time aspects of four newly discovered extremely rare statues of Avalokitesvara (Chinese Guanyin, Tibetan Tara, Japanese Kwannon-Sama) in wood, iron, and ceramic sculptured by mid-ancient Chinese artists during the Sui (AD 581–618), Tang (AD 618–907), and Song (960–1129) dynasties. The comparative research of these important archaeological artifacts along with other existing historical records indicates the following:

(1) Ever since Avalokitesvara appeared in Indian Buddhism together with his brother Mahasthamaprapta in around 500 BC, this Buddha, who lived in Sukhavati 100,000 billion kingdoms away from the Buddhist soil, experienced significant morphological changes from a child to an adult of at least thirty-two various appearances. After Esoteric Buddhism developed in China in AD 500, at least eight major images of this Buddha known as Guanyin can be grouped from available artifacts. They are Sacred Guanyin; Eleven-Faced Guanyin; Thousand-Handed Guanyin; Amoghapasa Guanyin; Chundi Guanyin; Cintamani-cakra Guanym; Hayagriva Guanyin; and Crown-Willow Guanyin. The present study depicts and analyzes four striking images of morphological changes that are extremely precious.

(2) As a male image in India Buddhism, Avalokitesvara shifted into a female in Chinese Buddhism during High Tang of the seventh century when this Buddha was most respected by the people. Although the first female image appeared in a surviving painting of AD 603, the investigation shows that the point of gender transition of Avalokitesvara from male to female was not clear on Dunhuang wall paintings and sculptural arts until AD 650. After this Buddha became a female Guanyin in China, female Tara in Tibet, and female Kwannon-Sama in Japan, she was never changed back into the original male image in these art traditions. The irreversible point of gender transition therefore also serves as a method for archaeological dating. The four statues analyzed in this study presented a gradual and clear transition from a male to a half-male and half-female, then to a female.

(3) The Chinese politico-religious impact on images of Avalokitesvara can be systematically traced from four significant sculptures analyzed here. This impact is not only striking in the original Indian facial appearances, Indo-European body shapes, and exotic religious gestures, but also striking in hairstyles and headdresses, historical costumes, holding instruments, and decorative ornaments that may traceable to the early Egyptian tradition. An extremely rare ceramic statue is depicted and analyzed in the present study that shows particularly during the early Song Dynasty (960–1129), Avalokitesvara wears a beautiful, flowery crown; whole-body full-scale complicated decorative ornaments; and a large, thin, and floating garment with broad sleeves and long sashes, which clearly shows the Taoist influence on Buddhist image sculptures, when Taoism was an official and dominant religion during the time.


Chinese Handmade Papers: Process and Product

Nancy Norton Tomasko, Princeton University

Paper had its beginnings in China, and words and images drawn, written, or printed on a wide variety of thin, flexible, and remarkably durable handmade papers comprise a very large percentage of the evidence on the history of Chinese culture available today. Computer-based technologies that make Chinese documents and data available in easy-to-manipulate electronic formats may tempt some scholars in the twenty-first century to regard the paper-based originals of these records as research tools that no longer need to be consulted. Giving no thought to the original paper documents is a short-sighted decision, while paying close attention to the original documents and as well to paper stratum of these documents very often reveals information important to understanding the meaning and the significance of the document itself. The kind and quality of the paper, as well as the condition of the paper and of the bound volume, also provide the researcher with valuable clues about the conditions under which the book was produced and through which it passed in its lifetime.

The intent of this poster session is to call attention to the paper that carries the words we read and the images that enhance our understanding of those words, so that scholars of Asian studies who view the session can begin to gain a familiarity with the traditional papers that they encounter. It introduces information about handmade papers being made in China today—what the basic fibers are and how they are processed, how papers are made, and what the appearance and feel of the papers are. The techniques for making paper by hand and the papers produced today in China are a realistic window on the traditional processes used to produce papers in previous centuries, in that the processes in many ways have changed little.

I will display photographs of thriving hand papermaking operations in four different regions of China in which I have done field research over the past several years—Fuyang in Zhejiang, Jingxian in Anhui, Jiajiang in Sichuan, and Qian’an in Hebei. The display includes many samples of different kinds of handmade papers, both plain and decorated, produced in these regions. And I will have on hand examples of Chinese books and other paper documents printed on a variety of papers, all for hands-on scrutiny.


From Ink to Rocks: How Chinese Painters Influenced Sculpture during the Fifth and Sixth Centuries

Lidu Yi, University of Toronto

This poster demonstrates how Chinese painters have influenced sculpture in style during the 5th and 6th centuries. To do so, some rarely or known illustrations from recent Chinese archaeological sites and Buddhist caves will be exhibited. These materials shed new light on the intimate links between painting and sculpture.

This poster is primarily concerned with two main topics: the origin and trends of Buddhist sculpture of the 5th and 6th centuries in northern and central China; and how the contemporary Chinese painters Gu Kaizhi (c. 344–406), Lu Tanwei, and Zhang Sengyou exerted a profound influence on the depiction of human figures in sculpture. In doing so, they greatly affected the evolution and characteristics of Chinese sculpture.


The Usnīsa on Monk Images: Iconographic Study of the Cave Paintings from the Kizil and Bezeklik Regions

Tianshu Zhu, Ohio State University

Śākyamuni is supposed to have been born with the mahāpurusa laksanas (characteristics of the Great Person). The usnīsa, "the protrusion on top of the head," is one of his characteristics. In standard Buddhist iconography, the usnīsa is an attribute almost exclusive to the Buddha image. However, some monk images in very limited areas, mostly caves from the Kizil and Bezeklik regions in Central Asia and Ajantā caves in India, are clearly shown with this cranial protuberance. The purpose of this paper is to examine this unusual iconography and study the significance of endowing the usnīsa on the non-Buddha figures in Buddhist theory and practice. An attempt will be made to search the possible connection among the areas where this iconography appeared, and how this may be related to Sarvāstivāda, a Hīnayāna school which is believed to have dominated Kizil and also to have existed at the sites of Bezeklik and Ajantā. Since the Kizil caves yield the most intensive depiction of such images and the images at Bezeklik bear inscriptions that are crucial for interpreting the meaning of the iconography, I will focus on the images from these two regions, which have not been extensively studied.

In reviewing the history of the concept of the usnīsa special attention will be given to the development of the buddhanusmrti practice and the yanic nature of the different understandings of the mahāpurusa laksanas: The former is a form of Buddhist meditation that calls for visualizing the Buddhas, including the Buddha’s body marks. The latter explains why the image of the monk bearing the usnīsa is late Hīnayāna iconography and becomes absent in Mahayana Buddhist art.


Orthographic Inconsistency in the "Standardized" Qin Script

Imre Galambos, The British Library, London

This study explores the Qin script immediately following the unification that allegedly happened in 221 BC when the Qin ruler united China and assumed the title of the First Emperor. I argue that despite these politically motivated claims, the archaeological material from the periods before and after the reign of the First Emperor does not reflect a sudden and comprehensive shift in writing. Even edict plates issued by the Qin government and attached to the new standardized weights as a verification of an official inspection did not reveal a presence of a uniform script. Moreover, the weights themselves showed a certain degree of deviation from their face value, revealing that the idea of a "standard," even if it existed, was much looser than today. Epigraphic material shows that the script changed gradually, over decades, even hundreds, of years and not as a one-time effort of a single person.


Publicizing Chinese Rubbings: Early Print Culture Online

Miao-lin Hsu, Harvard University

The material only involved a sheet of moistened paper, a fiber brush and ink. The process only required tamping and tapping. Yet the products, ta pian or rubbings, became vitally important as a main source for the study of ancient Chinese art. Rubbings are multiple copies of old inscribed records, including all forms: bronzes, jades, bricks, tiles, ceramics, stone tablets, tombstones, Buddhist figures and their votive engravings, and even Buddhist cave temples.

For more than one thousand years, scholars and connoisseurs have collected rubbings for study purposes "because large stone slabs are not easily transported, and can usually only be accessed at their place of origin" (Dr. Chen Shen, curator of the Near Eastern and Asian Civilizations Department, The Royal Ontario Museum). There are more than 2,600 individual rubbings in the Fine Arts Library, Rubel Asiatic Research Collection, at Harvard University.

This presentation will introduce the Chinese Rubbings Project—the digital cataloging of Chinese rubbings in Visual Information Access (VIA), the public union catalog of visual materials at Harvard. The project will present the wealth of the Chinese rubbing collection as visual material and serve as a valuable resource for researchers. A zoomable digital image and preliminary study of each rubbing form the basic framework for the catalog records. Images and metadata for Chinese rubbings will be a public resource to assist studies in Chinese art history and related disciplines.